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Angelos Merges was born in 1989 in Chios, Greece. He received an Integrated Master from Athens School of Fine Arts in the direction of Painting in 2020 and a Master in Fine Arts from Zürcher Hochschule der Künste in 2023. He lives and works between Zürich, Switzerland and Athens, Greece.

Solo Exhibitions

2025                 TBA, Athens

2024                 pilgrims, Modern Animals, Zurich
2020                Family of Man, ASFA Degree Show, Athens

2018               World’s Material, Melanithros, Athens

Group & Duo Exhibitions

 

2024                 upcoming: Jungkunst, Halle 710, Winterthur

2024                 Werkstipendien der Stadt Zürich, Helmhaus, Zurich

2024                 The Radiance of Earthen Bonds, Duo show with Aline Witschi, FOMO art space, Zurich

 

2023                 Visarte: "Einsichten 2023 and Friends", with FOMO art space, Photobastei, Zurich

2023                 Visarte: "Einsichten 2023 and Friends", with Hotel Tiger art space, Photobastei, Zurich

2023                 ENCORE: New Greek Painting, Municipal Gallery of Athens

2023                 CONTROL, Diploma show, ZHdK, Zurich

2023                 Sunburn, Studio West - London, online

2023                 Emerging Voices, gallery Thalatta, Athens

2022                 An exemplary Art Show, Hotel Tiger offspace, Zurich

2022                 Xtra Rough, Schlieren, Zurich

2022                 Mataroa Awards, Art Thessaloniki Fair, Thessaloniki

2022                 Summer Projekt, Go Green Art Gallery, Zurich

2022                 IN THE OTHER ROOM, Sonnenstube offspace, Lugano

2022                 Soft Underbelly, Zoumboulaki gallery, Athens

2022                 Graduates 2020-21 Seniors 2022, 16 Fokionos Negri, Athens

2022                 Graduates 2019-2022, Athens School of Fine Arts, Athens

2021                21!, Archaeological Museum of Agios Nikolaos, Crete 
2021                Reality Check, StandInLine Gallery, Nicosia, Cyprus
2021                Back to Athens – Day Wavers, Isaia Megaron, Athens
2021                On a Small Scale, ALMA Gallery, Athens
2021                Carnival - Behind the masks, Skoufa Gallery, Athens

 

2020               The space of emplacement, Space52, online
2020               Platforms Project NET 2020, online

 

2019                The shaped Body, Stegi Grammaton kai Technon Aminteou, Florina
2019                9th Student’s Biennale, Athens School of Fine Arts, Athens
2019                Young_Artists, Balkan Art Gallery, Xanthi
2019                150 years Greek Railway, TrainOSE Contest, Engine room of Pireaus

 

2018                Visualization of Kiki Dimoula, Institut Français d'Athènes, Patra

Exhibitions with ACHT!

2021                  Art Athina Pop Up, King George Hotel, Athens

2021                  Chromophobia II, Nitra Gallery, Thessaloniki

2021                  Chromophobia, Nitra Gallery, Athens

2021                  Things can only get better - Group Show, Skoufa Gallery, Mykonos

Awards

2022                 Zangger Weber Scholarship 

2022                 Heinrich Hintermeister Award 

2022                 Hirschmann Stipendium Award

2019                  TrainOSE, «150 years Greek Railway» Award

Residency Programs

2022                 Shared Campus Summer School - «Rivers. Jugular Veins of Empire», London

2015                  Philoxenia Workshop, Festivart, Loutraki

Angelos Merges' painting compositions deal with current social issues while exploring painting strategies that correspond to the post-analog era.

 

Strongly influenced by recent events that reshaped the socio-political landscape of Greece, his interest focuses on themes that revolve around the notion of liminality as a human condition. In his work, events that occurred over the last decade and personal memories blend, producing a series of images that are interpreted without being explained. Issues that emerged during the economic and refugee crisis meet memories from growing up in the island of Chios, his homeland, creating ambiguous images that oscillate between the intimate and the unfamiliar.

The series of paintings form open-ended narratives offering an intermediate space that prompts the viewers to position themselves and to fill in the narrative based on their own perceptions. In the depicted scenes, the exposed and the unseen, the initiated and the outsider seem to be in constant exchange in an attempt to raise questions about shifts of perspective and positions of power.

 

Belonging to a generation of artists who grew up during the time of digital outburst, he approaches painting as a medium that enables the artist to focus on content and method in an era where screen culture holds a dominant role in everyday life.

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